Art of the Spirit

Detail of one of my paintings

Tomorrow, January 9th, I’m going in for minor heart surgery. I will be discharged on January 10th. I know the Divine is involved here because on January 10th last year I went into the hospital with a serious heart issue. I will be leaving the hospital the very same day I entered it 1 year ago. No person could plan that.

This year has been an intense transformational journey for me. Last year I had an episode of ventricular tachycardia. It was very dramatic. I went into the hospital with a heart rate of 223 beats per minute. They called code blue, 10 people descended on me, just like ER.

Well, I have to tell you that it was one of the most beautiful experiences I’ve ever had. In that moment, the first moment in my entire life, I surrendered completely to God. I had not one instant of fear. Every person treated me with beauty and I was carried through to safety. I believe my absolute calm and trust dramatically impacted this situation were I was mere seconds from death.

I spent 9 days in the cardiac ICU while they tested me in every way possible. In the end, they fitted me with an implanted cardiac defibrillator. When I left the hospital everything returned to normal except that the Divine hadn’t finished teaching me yet.

In March I got the stomach flu. The usual thing, I threw up for about 24 hours. When I got up the next day, I was walking down the stairs and I heard a pop. The only other time I had ever heard that sound was when I experienced a flash of Divine light. I realized my defibrillator had gone off. It continued to fire 11 more times in the next 5 minutes. If you don’t know what that means, I’m sure you’ve seen on TV doctor drama doctors administering a shock to a person with paddles. Well this is the same thing only delivered directly to your heart. It is excruciatingly painful.

The ambulance shuttled me off to the hospital where I found that my cardiologist had set my device too low. My heart rate was completely normal, fast because of the flu but normal. The machine went off because the programming was wrong.

I was completely traumatized by this. I jumped at every noise. I had nightmares of it going off again. I was afraid to walk down the stairs. Sometimes, I was so consumed with fear, I was literally afraid to move. I know it sounds terrible, but it turned out to be one of the most important experiences of my entire life. It is no mistake that I heard the same sound as in my vision.

Dealing with this has changed my relationship to fear. I never knew that most of my decisions were made out of fear. That fear regulated everything I did. This experience has liberated me from fear. I learned how to be with fear and still act, how sitting with fear instead of resisting it transforms it.

I learned to deal with my fear so well that when, I was faced with another truly fearful situation, I was ok. In September, I found out that part of my device had been recalled for delivering inappropriate shock (one woman had, I believe 58 shocks, in 1 hour) I did freak out for a day, but then I handled it. I took my time gathered all the appropriate information and 3 ½ months later I am acting. Not out of fear, but out of the knowledge that I am making the best decision for myself and my family.

People often think of fear in the context of what it stops us from doing, perhaps flying to an exotic local, changing or job, etc. But my experience is that we are so deeply unconscious of our fears that we actually think we like doing what we have always done. See Jan on this. I don’t do half of what I used to. It’s not because I’m sick. It’s because I won’t waste my energy on doing things just to please other people when they rob me of my life force. I never realized how terrified I was of disappointing someone or making them angry.

I could never have started this blog before because I would have fear what people would say. Why do we hold back and resist change? We only get our mirrors dusty so they can’t properly reflect the One.

This cycle is done. On the 10th I will leave the hospital and I’ll be on to bigger and better things. I hope it is more art, but that’s not up to me, that is in the hands of the One.

I send you blessings. Thank you for reading.

With all the excitement of the holidays, I haven’t had much time to make art. I haven’t been sleeping well- a sure sign that I’ve abandoned my body for my head. I’ve been working hard on putting together my “Earth” page, which will hopefully be up by the weekend. It’s taking me so long because it is endlessly fascinating. One theme that seems to run though most of the writers, that people are disconnected from their bodies and one path to true connection with God is through connection to the Earth, creation.

It really is hard to maintain that connection between body and spirit in our culture. I grew up in LA, a soulless city if there ever was one! But LA had the ocean which I visited at least 3 or 4 times a week. I didn’t swim or play volleyball or get tanned; I just sat and stared at the ocean. The beauty of those moments would fill me and allow me to be still. Being still allowed my mind to quiet and my spirit to enter back into my body. Contemporary life is so busy. There is no time for stillness unless that time is made either by being sick or by choice. My illness has many complex spiritual reasons, but I’m sure keeping me still is no small part of it.

It took me a long time to learn to listen to the Divine. But now I understand that if I don’t do it now, the Divine will force me to do it later and it will be harder. So there is really no point in fighting. Yesterday & today I’ve made time to be still so I can reconnect my body and spirit. Oh the resistance! But when I finally was still, I felt myself come back. I felt more present and more centered. I was connected again and I felt the Divine enter into me because I made space. In that moment everything shifted for me. You cannot connect with the Divine without experiencing change. Hildegard of Bingen calls it “greening”. She says that “the word is all verdant greening, all creativity.”

This place of stillness which allows change is the same place I connect with when I create art. I discovered this amazing youtube video about this exact thing. In it, Matthew Fox explains Meister Eckhart’s views on artists:

He said a few things that really struck me:

1) I copied this while he was speaking:

Eckhart compares the work of the artist with the Annunciation scene. The spirit that comes over Mary and begets the Christ in Mary. He says this is the same spirit that comes over the artist and begets the Christ. So this is the Cosmic Christ being born in you. And of course it’s Eckhart who says, “What good is it if Mary gave birth to the son of God 1400 years ago and I don’t give birth to the son of God in my own person in my own work,” that’s art. What you give birth to is the Christ, or the Shekinah the wisdom, or the Buddha nature. You are giving birth to it just like Mary.

He is basically saying by creating we are bringing the Divine more fully into the world. Fox is talking about the Macrocosm/microcosm, as above so below, when he talks about the artist giving birth to Jesus in their soul. The artist’s work is but a pale shadow of the Creator’s work, pale but significant. Just as Jesus shows us the perfection of matter, so the artist seeks to perfect matter, to infuse it with Spirit during the act of creation.

2) Eckhart believed that sins of omission are greater that sins of pride. If you hide your joy, Eckhart says you are not spiritual…. Wow is that amazing. By hiding our joy, we dam up the fecund river of Divinity. We stop the Divine from entering the world. Artists are experts at hiding their work! Fox talks about art though out this video, but he does mean just painting. He means whatever is your joy, your job, caring for your family, hiking, etc.

3) Fox feels that the creative nature of the Divine has been ignored in much of Christian theology, that there is too much emphasis on sin and redemption. Because we have forgotten God’s creative nature, we have lost our connection to creation itself. This is, in Fox’s opinion the cause of the destruction of our planet. (Interestingly, Fox doesn’t believe in original sin. He believes in original creativity. I’ll have a post about this interesting concept coming up.)

4) Fox asks, “How can you know god the creator except by loving creation?” A poignant question.

5) Jesus was an artist, a story teller.

I love most of what Fox says, but his use of the term “co-creator” makes me a little uncomfortable. As an artist, I don’t feel I am a co-creator with God exactly. Certainly I am there. I show up but I feel my job is to be present but empty so that the Divine can flow through me. The term co-creator gives the impression of control. Certainly it is true that that my work reflects me and each artist’s work bears their own distinct mark. The artist is like a filter through which the Divine stream flows. The more I am present in the act of creation, the more space there is for the Divine to fill. The less I control the creative process, the less I filter out of Divine presence.

I recently came across the artist statement of Canadian Heidi Thompson. She describes it like this:

While painting, I become immersed in the experience of the image changing, dissolving, reappearing, solidifying, then separating again. The emerging images often have characteristics which I had never imagined. I apply transparent layers of colour trying to create illusions of atmosphere - gas, liquid, smoke, dust, steam or changing surfaces of water, corrosion, ice and chemicals. Right before my eyes, the heavy solid nature of paint and paper seem to dissolve into impressions of finer substances. These finer substances then become subtler as they stimulate my sensations and provoke my imagination. The painting inspires thoughts, impressions, memories, and feelings - all finer qualities of the mind. What was once solid matter has now transformed into mind-energy. If painting is indeed such a vehicle, which can transform matter into fine substances and, then, into even subtler mind-substances, then it may be possible for the mind-experiences to transcend into something even finer - a sense of spirituality.

If I have succeeded even a small step toward my artistic goal, my paintings would show these levels of our nature - matter, energy, mind, and help the viewer feel something of his or her own spirit-soul. I know that painting aids the experience of these levels of my being. It allows me to experience how matter, energy, mind and spirit play together, guided by some invisible intelligence. And somehow, all these manifestations of existence seem to emanate from a greater intelligence - perhaps God or the Absolute. Sometimes when one of my paintings resonates a beautiful harmony and energy, I feel that a tiny part of the mystery of who I am is being unveiled and I am filled with great pleasure and love.

I have been inspired by so many who have shared their own mystical experiences, Hildegard of Bingen, Alex Grey, Meinrad Craighead, & Gartenfische to name a few, to share my own. I share this experience because it has everything to do with why and how I make my art and live my life.

In college, I had the good fortune to study in Florence. I was inundated, saturated with the energy of the Divine which is captured in those works of art & churches. I had never experienced such intensity before. I became particularly enamored of a Madonna & Child painting in a small shrine made in a former grain market, called Orsanmichele. The building was constructed around an open-air grain market where several healings had taken place which were attributed to the Virgin Mary. I visited this painting of Mary almost everyday for months and when I returned home I continued to pray to her.

One day when I was visiting my family, I had pulled the binds down in my old room and lain down on the bed to pray. I was holding a Mary medal which I used to wear around my neck and facing my old bookcase. I prayed for a long time running my fingers across the medal’s ridged surface when suddenly felt I was being watched. I opened my eyes and there was Mary’s head suspended over my stomach (my womb). I knew I was her without doubt. She was dark skinned and mysterious, the earth mother. I gasped and heard a loud pop. Mary disappeared and at the same moment I was filled utterly with a flash of blue light.

When the flash passed, my eyes were swimming like they do when exposed to something too bright. I noticed floating in my field of vision, a short dark column. It was the same experience as staring into a light bulb and upon looking away seeing dark dots float before you. I thought it was strange, such a distinct shape. So I got up and went to where the light had seemed to come from & where the shape also seemed to be coming from in my old bookcase which I hadn’t really looked through in years. There, wedged between two larger books and pushed slightly back so it was out of sight was a small (about 4”x 2.5”) black leather New Testament with gilt edges. Its spine was the exact shape and size of the dark mark floating around in front of my eyes. I knew with complete certainty this was where Light had come from. I had had no religious training at all. The only time I had every opened this Bible was when my Dad gave it to me at least 10 years earlier. At that time, I had opened it randomly and read just St. Luke’s description of the Annunciation.

It took me a long time to put together the fact that I had experience an annunciation of sorts although I only painted annunciation scenes for years after that. In my paintings, I always showed Mary as experiencing incredible fear. (See my early wood cut above. Sorry for the poor quality picture!) On the day I received the Light, the blue Light of creativity, I was given the job of being a vessel for this Light to enter into the world. This is a fearful task and I wasn’t up to it. I believe that is why I have been gifted with my illness, scleroderma- to prepare me for this sacred task. Having scleroderma has cleansed me of anger, bitterness & depression. Having scleroderma has taught me to be empty and surrender, although there is still much more to learn on that front! I pray to my Source everyday that I might be able to be a true vessel for the Light. Now my depictions of annunciations are no longer filled with fear.

This blue Light within is like a baby, it needs to be nurtured and cared for, protected and fed. This is the job of artists. Perhaps some might think artists are selfish or self-centered. Really they have turned inward to nurture this Light so that it may be infused into the world.