Archive for Matthew Fox
I’m working on purging some of my seriousness and embracing the joyful face of creation. I found this wonderful, fun art form, artist trading cards (ATC or ACEO). I know, I know I’ve been living under a rock (or perhaps in a monastic cell!) The only rule is these card have to be 2.5″ x 3.5″. Fun right? So here are my first explorations:
I know, still a little serious. But I’m taking baby steps! I also think the images can be serious and still have been a joyful experience to make.
Here are some links to videos on art and play. First Matthew Fox on Otto Rank. Rank felt play was essential to the artistic process:
This one is just fun. Tim Brown talks about the relationship between creative thinking and play:
During the first part of this video, I was close to tears. I’ve written about my deep connection to Hildegard’s life before. In college, I even made a pilgrimage to Bingen to visit Hildgard’s bones and the corner of earth where she lived. Fox starts with pictures of the places of her life, places I visited and then goes on to her illness and her awakening at the age of 41 or 42. I am close to turning 41 and have dealt with dramatic & debilitating illness for many years. There are obvious parallels and it hit me forcibly that Hildegard’s life is an exemplar for my own. Not that I could attain her genius and connection to the Divine, but I could attain her commitment to her creativity process, her respect and love of the physical world and possibly even a reprieve from illness although not necessarily how you may be imagining.
I have no expectation of my illness being lifted from me, but I do have hope. And this is, perhaps, why this video effected me so profoundly. I do have evidence that making art heals me. See here and here. But more than that, I have felt art remove the idea of illness from my system. When I work illness disappears. I’m just there. I enter a state where illness simply does not exist. It is state of freedom where I can embrace my physical nature bur not be burdened by it.
Most of my life, the physical world has seemed a burden to me. Once a long time ago, I met an amazing fellow, a pagan jewelry maker and musician of the highest caliber. He said something to me that was so shocking to my system that it shifted everything for me. He said:
I love this earth, I love the pleasure, the pain, the fight, the food, the suffering.
He said it with such relish. It was clear that he really did love being a physical being. It never occurred to me that anyone would want to do anything else but escape Earth and leave physicality behind. From that moment I considered for the first time ever, embracing my life on Earth. My illness which has bestowed so many gifts, helped force my down to Earth as well. By leaving me with little strength, I could not occupy my time with a million little distractions. It was just me and my body learning to dance for the first time.
Hildegard revived herself through her arts writing and painting, physical acts which channel Divine energy into the world. Throughout her work, she embraces nature and the Earth.
Oh greening branch.
O greening branch
O greening branch!
You stand in your nobility
Like the rising dawn.
Rejoice now and exult
And deign to free the fools we are.
From our long slavery to evil
And hold out your hand
To raise us up.
-Hildegard of Bingen
This is just one example of how she sees God in nature and nature as part of God. It was Hildegard’s job to express this. God rushed through her like Niagara Falls, pouring into this Earth. This is what Victor Frankl has to say about our purpose in life. (He is speaking about is time in a Nazi Concentration camp.)
We had to learn and we had to teach the despairing men that it did not really matter
what we expected from life, but rather what life expected from us. We needed to stop
asking about the meaning of life, and think instead of ourselves as those who were being
questioned by life—daily and hourly. Our answer must consist, not in talk and meditation,
but in right action and in right conduct. What matters, therefore, is not the meaning of
life in general but rather the specific meaning of a person’s life at a given moment.
Everyone has his own specific mission in life to carry out a concrete assignment, which
demands fulfillment. -Victor Frankl, Man’s Search for Meaning (Thanks Alive on All Channels)
I have my assignment. Hildegard is my example. Create, create, create.
Last night A.R. Rahman won an Oscar for Best Original Song and this is what he said:
All my life I have had a choice of hate and love. I chose love and I’m here.
This is a powerful statement on many levels. Today I’ll focus on just one: every time an artist sits down to work they choose love. Even if they are expressing pain or anger or darkness they are facilitating the presence of the Divine Artist on Earth. They tap into the fecund well of Divine Creativity and allow it to flow into the world.
Matthew Fox, founder of creation spirituality, describes the same thing slightly differently:
The artist names holy “isness” in all its forms—joyful and beautiful, sad and tragic. We need the artist to name our common experience of “isness” —to tell us when “isness” has just passed by and to assist us in expressing our gratitude.
The artist opens the door to the present moment which is the only place to truly experience of the Divine. It is silly to try and pretend that darkness does not exist in the world, that we could exist without sadness, anger or pain. Artists help us to name and experience these emotions, this is what Fox means when he says “isness”- to locate these feelings in the universal experience. Their part in the never-ending upward spiral toward the Universal Maker which snakes from light to dark and back again.
Art helps us to stop resisting our emotions and the present moment. When standing in front of a work of art, we breath and absorb the moment. We experience our feelings. We project our personal issues and see them reflected back safely. This process allows us to move forward out of darkness instead of being stuck there. By experiencing the darkness in our lives we are released from it, by resisting it we are trapped. A work of art can help us face our darkness and this is an act of love. Art acts a loving midwife to the soul urging us onward in our spiritual development.
I just joined an interesting group, a kind of a Facebook for Creation Spirituality. Creation Spirituality is something I’ve become increasingly interested in as I explore my artistic process through this blog. I don’t agree with Matthew Fox, the founder of CS on everything, but he usually hits the nail right on the head when it comes to the creative process.
I wholeheartedly agree that art is a form of meditation and process is more important that product. It’s great that he talks about making art as entering into relationship with the Earth. It is also about entering into relationship with Spirit. The artist, consciously or not, seeks to merge Spirit and matter to create a greater whole.
Fox says the artist will have no peace until they express their creativity. I have absolutely found this to be true in my own life. I love the line “If your creativity is not busy about healthy things, it’s going to be busy about making you neurotic.” He quotes Otto Rank*, after a failed suicide attempt saying, “I must give birth everyday or die.” This is an amazing statement, but one I think is true for artists. Fox takes it a step further by telling us that everyone is an artist and everything we do can be an art if it is done with heart. If we connect to our soul and not just our minds we connect to the protective and healing properties of making art. I recently spoke about how art protects one from descent into fear. Fox understands that art is balm against many forms of disabling mental distress.
* Updated with name of Otto Rank. Thanks Matt!
More from Fakhruddin ‘Iraqi
Many and disparate waves do not make the sea a multiplicity; no more do the Names make the Named more than One. When the sea breathes they call it mist; when mist piles up they call it clouds. It falls again, they name it rain; it gathers itself and rejoins the sea. And it is now the same sea it ever was.
So Ocean is Ocean
As it was in Eternity,
But its waves and currents.
Do not let the ripples
And mists of the worlds
Veil you from Him
Who takes form within these veils. (Jandi)
Beginninglessness is the depth unfathomed, Endlessness the shores of this Ocean.
Do you want to be ALL?
Go and become NOTHING (p.78)
Amazing via negativa poetry. Until yesterday, the via negativa was my dearest desire. But I have been watching a number of Matthew Fox videos on youtube and he has opened my eyes to a new idea: the via creativa. Fox sees the via creativa as a path to the One through creative acts, which, is the whole topic of this blog! He sees the via positiva (also sometimes called the affirmative way) and the via negativa as building blocks to the via creativa. It’s a fascinating idea and I do feel the beauty in the world and the emptiness both while making art.
I will sit with this and perhaps I may embark upon a new path? Or perhaps this is the path I am already on…
With all the excitement of the holidays, I haven’t had much time to make art. I haven’t been sleeping well- a sure sign that I’ve abandoned my body for my head. I’ve been working hard on putting together my “Earth” page, which will hopefully be up by the weekend. It’s taking me so long because it is endlessly fascinating. One theme that seems to run though most of the writers, that people are disconnected from their bodies and one path to true connection with God is through connection to the Earth, creation.
It really is hard to maintain that connection between body and spirit in our culture. I grew up in LA, a soulless city if there ever was one! But LA had the ocean which I visited at least 3 or 4 times a week. I didn’t swim or play volleyball or get tanned; I just sat and stared at the ocean. The beauty of those moments would fill me and allow me to be still. Being still allowed my mind to quiet and my spirit to enter back into my body. Contemporary life is so busy. There is no time for stillness unless that time is made either by being sick or by choice. My illness has many complex spiritual reasons, but I’m sure keeping me still is no small part of it.
It took me a long time to learn to listen to the Divine. But now I understand that if I don’t do it now, the Divine will force me to do it later and it will be harder. So there is really no point in fighting. Yesterday & today I’ve made time to be still so I can reconnect my body and spirit. Oh the resistance! But when I finally was still, I felt myself come back. I felt more present and more centered. I was connected again and I felt the Divine enter into me because I made space. In that moment everything shifted for me. You cannot connect with the Divine without experiencing change. Hildegard of Bingen calls it “greening”. She says that “the word is all verdant greening, all creativity.”
This place of stillness which allows change is the same place I connect with when I create art. I discovered this amazing youtube video about this exact thing. In it, Matthew Fox explains Meister Eckhart’s views on artists:
He said a few things that really struck me:
1) I copied this while he was speaking:
Eckhart compares the work of the artist with the Annunciation scene. The spirit that comes over Mary and begets the Christ in Mary. He says this is the same spirit that comes over the artist and begets the Christ. So this is the Cosmic Christ being born in you. And of course it’s Eckhart who says, “What good is it if Mary gave birth to the son of God 1400 years ago and I don’t give birth to the son of God in my own person in my own work,” that’s art. What you give birth to is the Christ, or the Shekinah the wisdom, or the Buddha nature. You are giving birth to it just like Mary.
He is basically saying by creating we are bringing the Divine more fully into the world. Fox is talking about the Macrocosm/microcosm, as above so below, when he talks about the artist giving birth to Jesus in their soul. The artist’s work is but a pale shadow of the Creator’s work, pale but significant. Just as Jesus shows us the perfection of matter, so the artist seeks to perfect matter, to infuse it with Spirit during the act of creation.
2) Eckhart believed that sins of omission are greater that sins of pride. If you hide your joy, Eckhart says you are not spiritual…. Wow is that amazing. By hiding our joy, we dam up the fecund river of Divinity. We stop the Divine from entering the world. Artists are experts at hiding their work! Fox talks about art though out this video, but he does mean just painting. He means whatever is your joy, your job, caring for your family, hiking, etc.
3) Fox feels that the creative nature of the Divine has been ignored in much of Christian theology, that there is too much emphasis on sin and redemption. Because we have forgotten God’s creative nature, we have lost our connection to creation itself. This is, in Fox’s opinion the cause of the destruction of our planet. (Interestingly, Fox doesn’t believe in original sin. He believes in original creativity. I’ll have a post about this interesting concept coming up.)
4) Fox asks, “How can you know god the creator except by loving creation?” A poignant question.
5) Jesus was an artist, a story teller.
I love most of what Fox says, but his use of the term “co-creator” makes me a little uncomfortable. As an artist, I don’t feel I am a co-creator with God exactly. Certainly I am there. I show up but I feel my job is to be present but empty so that the Divine can flow through me. The term co-creator gives the impression of control. Certainly it is true that that my work reflects me and each artist’s work bears their own distinct mark. The artist is like a filter through which the Divine stream flows. The more I am present in the act of creation, the more space there is for the Divine to fill. The less I control the creative process, the less I filter out of Divine presence.
I recently came across the artist statement of Canadian Heidi Thompson. She describes it like this:
While painting, I become immersed in the experience of the image changing, dissolving, reappearing, solidifying, then separating again. The emerging images often have characteristics which I had never imagined. I apply transparent layers of colour trying to create illusions of atmosphere – gas, liquid, smoke, dust, steam or changing surfaces of water, corrosion, ice and chemicals. Right before my eyes, the heavy solid nature of paint and paper seem to dissolve into impressions of finer substances. These finer substances then become subtler as they stimulate my sensations and provoke my imagination. The painting inspires thoughts, impressions, memories, and feelings – all finer qualities of the mind. What was once solid matter has now transformed into mind-energy. If painting is indeed such a vehicle, which can transform matter into fine substances and, then, into even subtler mind-substances, then it may be possible for the mind-experiences to transcend into something even finer – a sense of spirituality.
If I have succeeded even a small step toward my artistic goal, my paintings would show these levels of our nature – matter, energy, mind, and help the viewer feel something of his or her own spirit-soul. I know that painting aids the experience of these levels of my being. It allows me to experience how matter, energy, mind and spirit play together, guided by some invisible intelligence. And somehow, all these manifestations of existence seem to emanate from a greater intelligence – perhaps God or the Absolute. Sometimes when one of my paintings resonates a beautiful harmony and energy, I feel that a tiny part of the mystery of who I am is being unveiled and I am filled with great pleasure and love.
The greatest spiritual crisis facing humanity today is rectifying our relationship to the Earth. Sadly, our culture has taught us that physicality and spirituality are incompatible. Thomas Berry, an amazing contemporary theologian, describes our collective state like this:
The earth process has been generally ignored by the religious-spiritual currents of the West. Our alienation goes so deep that it is beyond our conscious mode of awareness. While there are tributes to the earth in the scriptures and in Christian liturgy, there is a tendency to see the earth as a seductive reality, which brought about alienation from God in the agricultural peoples of the Near East. Earth worship was the ultimate idolatry, the cause of the Fall, and thereby the cause of sacrificial redemption by divine personality. Thus, too, the Christian sense of being crucified to the world and living only for the savior. This personal savior orientation has led to an interpersonal devotionalism that quite easily dispenses with earth except as a convenient support for life.
My interest in spirituality and mysticism lies primarily in the via negativa. I’m here to tell you that the via negativa and physicality, the Earth, are compatible. In fact they are integral to one another.
The mystic who embraces the via negativa tells us that God is unknowable, greater than anything our mind can conceive. We must therefor remove our mind from the equation, releasing all our ‘ideas’ of God and surrender our need to control. We must surrender any limits that our small minds might place on the unlimited Divine. We must not even will to will ‘God’s’ will.
Because this path often requires a withdrawal in silence, it is falsely thought of as an escape from the world. It is not an escape from material reality; rather, it is a complete surrender into it. God and material reality, our Earth, are inseparable. Naturalist John Muir, though not a practitioner of the via negativa can still help us begin to understand the fundamental link between Earth and God.
These blessed mountains are so compactly filled with God’s beauty,
no petty personal hope or experience has room to be . . . . the whole
body seems to feel beauty when exposed to it as it feels the campfire
or sunshine, entering not by the eyes alone, but equally through all
one’s flesh like radiant heat, making a passionate ecstatic pleasure
glow not explainable. One’s body then seems homogeneous
throughout, sound as a crystal.
– John Muir
The Franciscan mystic Bonaventure (13th century) described all of creation as a vestige, a footprint, of God. Plotinus (3rd century CE) tells us that God emanates form, creation, without ceasing. Eckhart (14th century) describes God as self-generating, creating without cease. He believes that there was a sort of womb of God which he calls “the Abyss of God” which “… remains forever unique, uniform, and self-generating.” The practitioner of the via negativa seeks entrance to this womb, but it is with the understanding that they will not stay there in the place of no thing, they cannot. This womb is a place of constant birthing, of constant creation. By returning to this place, the mystic is “decreated” (see Tauler) and created at once. There is nothing that is created that is not the Divine. Sufi mystic Sheikh Nur Al Jerrahi (Lex Hixon) of blessed memory, puts this beautifully:
The heart is the spring at the center of a clearing within the uncharted forest of creation. Here, what is human, irradiated by Divine Love, transforms into what is Divine. There is nothing other than perfect humanity-which is simply the conscious realization that God alone exits. (p.372)
God alone exists, thus Earth, rain, illness, grass, everything is God. Eckhart also confirms this view: “Ego, the word ‘I’ is proper to no one but God alone in his uniqueness.”
If God alone exists, that means that everything that is is God, Being. Thus we do a deep disservice to ourselves and to God by denying our relationship to the Earth. As Thomas Berry says,” Not to recognize the spirituality of the earth is to indicate a radical lack of spiritual perception in ourselves.” Berry goes on the say that:
We need to understand that the earth acts in all that acts upon the earth. The earth is acting in us whenever we act. In and through the earth spiritual energy is present. This spiritual energy emerges in the total complex of earth functions. Each form of life is integrated with every other life form.
Our very spiritual nature is dependant on our embrace of the Earth. By denying it, we deny ourselves and the Divine. Hildegard of Bingen tells us that creation is linked to viriditas, a term which Matthew Fox translates roughly as greening power. Hildegard says that “the word is all verdant greening, all creativity.” Hildegard understands that God is fundamentally creative and the material and the Divine are fused because of the act of creation.
There is no creation that does not have a radiance. Be it greenness or seed, blossom or beauty, it could not be creation without it.
As an artist, the act of creation is especially present for me. But it is there in every moment of every life, not just the artist’s, if we allow it. Humanity has but to step out of the way and let the unceasing creativity of the Divine flow though us. Stepping out of the way means letting go of control. Period. We cannot say ‘I’ll let God direct my life” while still draining and destroying the Earth, because God is the Earth. God is alone, there is nothing which is not God. While we fight for control of our planet, we dam up the joyous flow of Light and Creativity into the world. For us to become “all verdant and greening” we need do nothing but accept what is, our physicality and deep spiritual connection to the Earth. I leave you with the words of biologist Elisabet Sahtouris who has worked to heal the divide between science and religion:
Our human task now is to wake up and recognize ourselves as parts or aspects of God-as-Nature and behave accordingly. All are One, all harm harms each of us, all blessings bless each of us.
[Speaking to a congregation] I urged them to occasionally see themselves as the creative edge of God (a phrase I learned from a dear friend) — as God looking out through their eyes, acting through their hands, walking on their feet, and to observe how that changed things for them…
Note: Over the next few weeks I will be adding a page to this site entitled Earth, with more views and resources on this line of thinking.