Archive for Poetry

St. Francis Mid-Way, a Poem

St. Francis: The Healing Nature of Wounds by Sybil Archibald St. Francis the Healing Nature of Wounds back view by Sybil Archibald
The Healing Nature of Wounds by Sybil Archibald

This is a poem I wrote last year when recovering from losing so much blood. I felt great deal of despair and I found solace and hope in the example of St. Francis. I know I’ve posted a lot about St. Francis in recent months, but I promise this will be my last post on him for at least a few more!

St. Francis, Mid-Way, Speaks

On Stigmata
As the warmth spreads softly through your hands
You cannot realize how much it will burn
For years it will burn
Brighter and dimmer in rhythm with a secret cycle
but always aflame
always searing
bringing the spirit to boil
I am the pot for a sacred recipe I will never know.

My side cries the blood-red tears of a mother for her Son.
I will never forget.

My feet produce a holy smudge as I walk
Each step is a sacred stab
Painting soil, rooting me,
My palette: blood mixed with the trod upon earth,
Earth and man are one.

On Internal Boiling
I keep these ever bleeding wounds hidden as best I can
My secret shame that I should be singled out for God’s mark.

Many times I feel I cannot bear it.
Many times I wonder if I can go on.
But I do

There are moments when the pain and anguish subside, like the brief parting of clouds during a grey winter’s day
Then I am flooded with Your Light
I forget to wonder
I forget embarrassment
There is only You
My joy

Then the clouds close and blood fills my eyes.
I am here on earth again.
And the best I can do is bask deliciously in the echo of that moment.
Putting one wounded foot in front of the other,
Trusting that the pigmented marks I leave, my sacred painting, serves a purpose.

What the Ordinary Person Says of their Wounds
I am wounded to the core and my fever burns unceasingly.
I keep these ever-aching wounds hidden as best I can
My secret shame that I should be singled out, that I am different.
Is this God’s mark?

Lord, let my expectations and my mark be one.
Grant that my unfulfilled and broken plans
Dissolve in your sacred boiling pot.
I have endured all manor of physical pain.
But nothing compares to the suffering of lost dreams.
I throw myself on your mercy.

Let this small, circumscribed life have meaning.
Dear Francis, show me the way.
– Sybil Archibald 2012

St. Francis by Sybil Archibald

On An Artist’s Responsibility to the Light

Opening to Love by Sybil Archibald Opening to Love (back view) by Sybil Archibald
Opening to Love
by Sybil Archibald

Light

Light
devoured darkness.

I was alone
inside.

Shedding
the visible dark

I
was Your target

O Lord of Caves.

by Allama Prabhu
English version by A. K. Ramanujan
Original Language Kannada

My esophagus and I have had a lovers spat. But after 3 months on a liquid diet I am happily eating solid food again. What a trying time. Some days it took more than 2 hours to drink a single cup of fluid because it simply didn’t want to go down. Each time I go through a difficult spell with my health, I know that there is divine purpose. I always come through healed in mind and soul as well as body.

Though my esophageal quarrel was extremely difficult, I made it through because of painting. Painting allowed me to connect to the deep well of creativity that regenerated me even as I felt my body slipping away. Painting became my anchor to life and each time I lifted my brush I felt I was reeling myself into safe harbor. This time made crystal clear the personal value of making art and also made clear why art is so important to the world.

Anyone who has read this blog will know I believe art and healing are deeply connected. As an artist is healed by the process of their work, that energy is captured. This energy resonates within their piece where it has the potential to heal its viewer. This is my highest goal, to create work that heals. I also think that is what art does at it’s best. Art can do other things: educate, shock, bring beauty. But all these fall aside when measured against the sacred calling to heal and transform.

This may seem a lofty goal that is not often reached but it is important to set lofty goals as Henry Moore says:

The secret of life is to have a task, something you devote your entire life to, something you bring everything to, every minute of the day for the rest of your life. And the most important thing is, it must be something you cannot possibly do.
-Henry Moore

I would change that quote slightly from something you cannot do to something it seems you cannot do. It is too easy to limit what we can do by dismissing goals as unattainable.

Art has the ability to change people on a very deep level and therefore artists have a great responsibility. Some might say they have a responsibility to themselves or to their vision, but I would disagree. Instead, artists have a responsibility to the Light / Creativity that they shepherd into the world. It is a flickering flame that must be cradled and cherished that it may heal and guide us forward.

Unfortunately, the art world and many artists have forgotten the sacred nature of their charge. Many are trapped and blinded by history’s model of the bohemian artist shocking the world. This model began in 1863 when Le déjeuner sur l’herbe by Manet was first shown, it shocked audiences by placing a nude woman with a pair of clothed men in a landscape. At that time, the strict prescriptions of the 19th century salon were stagnating art and needed to be shattered. Younger artists liberated by Manet’s courage were inspired into a sort of 19th century “Fight the Power”. Manet’s model of shock eventually led to the great movements of 20th century art like cubism and abstract expressionism.
Le déjeuner sur l’herbe by Manet
Each of these movements sought to shock the art world and bring something completely new. For example, Les Demoiselles d’Avignon by Picasso, generally recognized as the first cubist painting, was incredibly controversial. At first it was considered immoral and scandalous and later revolutionary.
Les Demoiselles d’Avignon by Picasso

This became the pattern for success is the art world. Shock your audience by reacting to the art currently in vogue. Be the bohemian outsider attacking the collective notions of what is acceptable in our society. And this model worked well for a long time and gave us a lot of great art. However, now, this model is failing both the art world and society as a whole.

Today, it is almost impossible to shock anyone. We have all seen countless murders and even really war causalities on TV. We are even jaded to the point of numbness.

Yet artists still doggedly cling to this notion of shocking the establishment. No longer able to shock the public at large, artists have settled for shocking the artworld with increasingly self-reflexive works that are no longer accessible or meaningful to the average person. Works that paradoxically become more and more cerebral the less they mean. Works that deconstruct and criticize what has come before and call attention to everything that is wrong in this world.

It seems to me that as a society all we can see the darkness: the murder and crime, the wars, the destruction of our environment.

When I said artist’s have a responsibility to the Light it meant it. We need to start carving a path of Light out of the darkness we are mired in. Artists have a unique opportunity to praise what is good and beautiful in the world and to point the way to healing ourselves and our earth.

I don’t mean artists need to become Pollyannas. Showing only Light is just the other side of the coin showing only darkness. We must acknowledge the darkness and transform it, hold the world’s darkness on our canvases along with it’s Light, the pain and the joy in a way that allows the release of the pain and the movement toward joy. By praising rather than complaining we add to the Light in the world, we add to a movement of healing that will in time reach a tipping pointing where darkness and Light can rebalance in a healthier way.

Where does this leave artists who deal with dark subjects? I say that if an artist is authentically engaging their own pain and not just making an intellectual statement they are healing themselves and adding to the Light. It does not do to deny the dark, day needs night, as summer needs winter. What is important is the intention of finding the path of Light for it is there for those who search. And the world so desperately needs us to search. So artists, I say, be brave, be ever so brave and enter your own darkness to find your path to Light. The world is depending on us.

With love,

Sybil

St. Francis by Sybil Archibald

The stigmata of St. Francis altar by sybil archibald
The Healing Stigmata of St. Francis Altar by Sybil Archibald

Gallery Opening Tonight

Heartbeat

Only mouths are we. Who sings the distant heart
which safely exists in the center of all things?
His giant heartbeat is diverted in us
into little pulses. And his giant grief
is, like his giant jubilation, far too
great for us. And so we tear ourselves away
from him time after time, remaining only
mouths. But unexpectedly and secretly
the giant heartbeat enters our being,
so that we scream —-,
and are transformed in being and in countenance.
Rilke

I adore that poem!

I have my piece The Pregnant Virgin: Creative Vessel in this show. I hope you can see it.

The Pierro Gallery
in the Baird Center
5 Mead Street South Orange, NJ 07079

Opening: Thursday May 24th, 6pm to 8pm
Gallery Talk: Thursday, June 7th, 7pm
Regular Hours: Wednesday & Thursday 2 to 7pm, Friday & Saturday 1 to 4pm

This show is the preview for the SOMA Artist Tour on Sunday June 3. I will be displaying the completed and in process pieces from my Earthen Vessel Series at 5 Mead Street, South Orange, NJ.

The Pregnant Virgin by Sybil Archibald
The Pregnant Virgin: Creative Vessel

A Poem for Inspiration

Honeycomb

A friend just reminded me of this beautiful poem. Thanks Katherine!

Last night as I was sleeping,
I dreamt – marvelous error ! –
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?

Last night as I lay sleeping,
I dreamt – marvelous error! –
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.
– Antonio Machado

I may just have to incorporate this image into my next painting….

Wandering the Desert

The Pregnant Virgin by Sybil Archibald The Pregnant Virgin by Sybil Archibald
The Pregnant Virgin Mary by Sybil Archibald
Click the images for closeups, more information & more work in the Earthen Vessel series.
Painted clay and wood, 2011
58″ x 16″ x 16″


My heart howled
Held me hostage
Be a t b y b ea ttttt

Heart of mine why
did you beat in absent rhythm
instead of with earth’s steady drum?

Was it God’s own secret beat?
The chaos that crumbles old form
into fertile new earth?

I was a frail and helpless cage,
rattled from my depths
by a heart singing Your secret song.

Yet in that excruciating fear
crushed into stillness by that iron grip,

I heard the silence and
found You again.
How can I be anything but grateful?

My heart beats for You
I am a shell, one empty, cracked vessel,
your quietly waiting alembic,

Please
fill me with honey
for I have had enough of pain.
-Sybil Archibald 2012

My last post, Emerging from the Desert, was a bit premature. Instead I have been wandering the desert seeking a way home. I found myself deeper in the cave these many months than ever before. Like the the Desert Fathers and Mothers who wrestled their own shadows, I was in such darkness that I must have been blinded by the Light. Again the great Artist** struck me low so that I could be raised up, my coarse clay smoothed and baked to form a stronger vessel to bear the creative light.

The past few months have been some of the scariest of my life. My last post saw me moving with happy heart to what I felt was home. However things didn’t click as expected. I was so tired doing anything wore me out. I assumed the move was responsible. As it turned out, the real cause was that half my blood was missing due to a bleeding stomach. I awoke one night and my heart was racing. My defibrillator, which once before had been a great awakener, began going off repeatedly. I ended up in the cardiac ICU and 3 bags of blood later everything began to calm down.

For 3.5 months my heart beat with strange and frightening rhythms. All I could do was lay there a prisoner from inside as chaos coursed through my body. Sometimes it lasted minutes, sometimes hours. Often it woke me up from what little sleep I managed.

Is it strange that now I find myself grateful for this traumatic time? Like every crisis before, this experience has shifted me deeply to the core. A load of unconscious pain I was carrying has vanished. Crisis throws a stark light on reality and forces you to see what you had before been blinded too. It was painful to see certain truths, especially about my family, but it is more work to cling to a false reality and try to make it real. That energy I used cling to illusion is now released and will be used for more creative purposes. I am now more able to step into present moment, where all true art is created.

During this time I was unable to do even the smallest things like cook diner or sit on the couch for an evening; making art was a complete impossibility. But now that I’m feeling better and my heart is on earth rhythm again I am chomping at the bit to get back to my work.

I intend to shift my work from the expression of suffering to the exploration of joy. In retrospect, I notice this transition was already beginning in my Earthen Vessel series. But this clear focus will be a fresh adventure for me. It’s something I never consciously conceived of before this newest brush with chaos. Coincidentally, or perhaps not, I received this in a newsletter from Rob Brezsny, who I enjoy for his unique ability to reframe issues, his creativity and his wit:

GAZING INTO THE ABYSS OF HAPPINESS

More and more creative people find they do their best work when they’re feeling healthy and secure. We know writers who no longer need to be drunk or in agony in order to shed the numbness of their daily routine and tap into the full powers of their imagination. We have filmmaker friends whose best work flows not from the depths of alienated self-doubt but rather from the heights of well-earned bliss. Singer-songwriter P.J. Harvey is the patron saint of this new breed. “When I’m contented, I’m more open to receiving a lot of inspiration,” she has testified. “I’m most creative when I feel safe and happy.”

At the Beauty and Truth Lab, we’ve retired the archetype of the tormented genius. We have zero attraction to books and movies and songs by depressed jerks whose work is celebrated but whose lives are a mess. Stories about supposedly interesting creeps don’t rouse our perverse fascination because we’ve broken our addiction to perverse fascination. When hearing about illustrious creators who brag that they feel most stimulated when they’re angry or miserable, we unleash the Official Beauty and Truth Lab Histrionic Yawn . . . .

All I can say is amen to that!

** My name for the Divine

PS For all those who reached out from my last post. I’m sorry I didn’t respond. I hope you’ll forgive me 🙂 I look forward to connecting in the future,

Emerging from the Desert

Plotinus by Sybil Archibald
Plotinus by Sybil Archibald

Form in Void
The tree is stripped,
All color, fragrance gone,
Yet already on the bough,
Uncaring spring!
Ikkyu Sojun 15th century

Three years ago, my family and I moved from the Northeastern United States to Florida. This summer we returned to the north- a circle complete, a spiritual trial survived.

We headed south seeking warmer weather and improvement in my health. My husband’s business closed so we sold our home and moved to paradise with a smile, happy to leave the busy northern pace and the weight of our possessions. More than anything, we sought a simplified life with deeper connections to one another and less stress.

I undertook this journey with an open heart. I was happy to begin a new adventure, but was blindsided by what happened. Within a month of moving I contracted shingles on my left eye and for 3 years my health related challenges never settled down. For example, my esophagus stopped working and I had a long period where I had to be on a liquid diet. These various issues kept me pretty much in bed. Under the circumstances, I found it difficult to meet people and became removed from the flow of life around me.

My life was literally stripped of everything but my family and my art. Friends, my house, my garden, life as I knew it had evaporated and I had no ability to replace it. It was definitely not what I expected upon moving to paradise and you won’t be surprised to hear that I experienced many dark days and nights.

At the time it seemed unfair and unbearable. Now, however, I see the reason. After meditating on the early desert fathers of Christianity, it is clear why I needed to be separated from my active life. The desert fathers believed that social interaction interfered with spiritual growth. They escaped into solitude deep in the desert. In In the Heart of the Desert: The Spirituality of the Desert Fathers and Mothers (Treasures of the World’s Religions), John Chryssavgis writes:

“Desert” (eremos) literally means “abandonment”; it is the term from which we derive the word “hermit”.…The desert signified death: nothing grows in the desert. Your very existence is, therefore, threatened. In the desert you will find no one and no thing. In the desert, you can only face up to yourself and to every aspect of your self, to your temptations, and to your reality. You confront your own heart, and your heart’s deepest desires, without any scapegoat, without any hiding place.…After all, you cannot hide in the desert; there is no room for lying or deceit there. Your very self is reflected in the dry desert, and you are obliged to face up to this self.…The desert is a place of spiritual revolution, not of personal retreat. It is a place of inner protest, not outward peace. It is a place of deep encounter, not of superficial escape. It is a place of repentance, not recuperation. Living in the desert does not mean living without people; it means living for God. Antony and the other desert dwellers never forgot this.

The desert fathers forced themselves to face who they truly were, to wrestle and triumph over their demons. I was not so brave. I didn’t willingly undertake the loss of everything as they did, but none the less, this is what happened. I was left with myself alone. Everything that I ran to escape, the anxieties, the pain, the loss was there to greet me.

For many years this blog charted not only my spiritual journey, but my struggle to make art. When I lived up north, the pain of making art was hard to bear. It brought up my internal struggles, grief and anger: all these years in bed while careers were made and lives lived. In Florida, after about a year of being forced to sit with all of these feelings, they began to trickle away. Even my fear of being immersed in the creative process began to melt. I finally surrendered and art became my lifeline as it was in the beginning and always should have been.

I would rest up for days and then drag myself into the studio. Gradually it happened, I began to hit my stride again. This feeling I hadn’t had in 15 years of illness began to creep over me. I was in the process of becoming the vessel I always longed to be. I felt the creativity surge through me. I felt life begin again inside.

Now that I’m back in the Northeast, I’ve left the desert and returned to the true land of paradise; here where my association to others is strong and my friends are happy to see me. My material possessions- my garden and house are gone but my connection to life is restored. I have to be grateful for the difficulties and pain I experienced in Florida, because in journeying through I found myself again. The desert ends up being a beautiful place. I have unearthed that space within that acts as a door between heaven and earth. It is an entrance for creativity to flow from the Divine into the material world. I am only one of many, many doors, but it gives me heart to go on. My job is to protect that space from the busyness of everyday life; to grow it like the garden I once had, a desert transformed.

Here are some examples of what I’m currently working on:

St. Francis of Assisi (Dimension: 55″x 18″) / The Pregnant Virgin Mary ( Dimensions: 55″x 18″ )
St. Francis by Sybil Archibald The Pregnant Virgin Mary by Sybil Archibald
Click the images for more views and closeups.
St. Teresa of Avila
St. Teresa by Sybil Archibald St. Teresa by Sybil Archibald
For more of my new work check my online gallery.

The Artist Illuminated, a Poem

Fire on Top, an Illumination (c) Sybil Archibald
Fire on Top, An Illumination by Sybil Archibald
22k gold leaf and handmade paints on animal skin parchment

Over at Abbey of the Arts, Christine is holding a poetry party. She writes:

I invite you this week to write a poem about your own invitation to enter the refiner’s fire – in alchemy lead is transformed into gold through heat and this becomes a metaphor for the human soul. What is the lead within you ready to be transformed into something treasured?

I am not normally a poet but this topic is near and dear to my heart, so I was inspired.

Over the years, I’ve made a deep study of early alchemists and their influence on medieval art techniques. The process of manuscript illumination is deeply sacred and transformative. My early embrace of these techniques allowed me to see that making art, regardless of medium, is a spiritual practice. Though I use many different mediums now, within me the spiritual crack opened by illumination continues to expand with Light.

For more on the technique and meaning of illumination, see my posts Finding the Sacred in Contemporary Art and Lapis & Gold.

The Artist Illuminated

Parchment
I trace the lines of God
on this dead skin-
a calf once, a self
prepared to be reborn.

Gilding
The red clay of Adam
laying lifeless upon skin,
desiring yet empty.

Deep within
I find it-
Divine breath,
hot, filled with life.

Exhaling,
I wake the glue which binds
body to soul,
giving form to life.

The once rough clay
is now perfected
by a blanket of gold.

With a flash the gilded clay rises up,
a wild horse running free,
as the newly golden surface
reflects living Light
back to Its
Source

Making Paint
I crush azure blue from a stone like so many grapes
All the while
emptying
my frail body of care,
surrendering concern.

Bleeding madder root in a bubbling pot,
heating iron over a fire to red.
Finding within
this lifeless squid,
its precious gift:
warm and brown
sepia stains my palms.

The Artist
Thus paint is made,
and my own skin emptied,
a self once,
prepared to be reborn.

Here in this moment I stand
an emptied vessel.

I dip my brush
and disappear.

I am the the glove
for the fiery blue Hand of the Artist
which destroys as it creates.

I have been consumed
In tender, burning flame
a shell of my former self
all ashes, all dust

which I collect and slowly
begin to grind into paint.

-Sybil Archibald

Needle and Thread

I am loving my new book Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women edited by Jane Hirshfield. It’s really amazingly beautiful. Today I was reading this poem by Pan Zhao, the only woman to hold the post of Imperial Historian during the Han Dynasty in China, and it made me think of DebraAnn my bloggy friend over at Tangled Stitch who inspires me with the beauty of her work:

Needle and Thread
Tempered, Annealed, the hard essence of autumn metals
finely forged, subtle, yet perdurable and straight,

By nature penetrating deep yet advancing by inches
to span all things yet stitch them up together,

Only needle-and thread’s delicate footsteps
are truly broad-ranging yet without beginning!

“Withdrawing elegantly” to mend a loose thread,
and restore to white silk a lamb’s-down purity…

How can those who count pennies calculate their worth?
They may carve monuments yet lack all understanding.
Pan Zhao (48-117?) Trans. Richard Mather & Rob Swigart
from Woman in Praise of the Sacred

And Happy Valentine’s Day everyone!

The Healing Hand (c) Sybil Archibald
The Healing Hand (c) Sybil Archibald

On Process, Sculptures and Kindness

Alleluia-
Verse for the Virgin

Alleluia! light
burst from your untouched
womb like a flower
on the farther side
of death. The world-tree
is blossoming. Two
realms become one.
Hildegard of Bingen
(Trans. Barbara Newman from Women in Praise of the Sacred)

When I make art, I am seeking the Void or the womb of God, a place Hildegard describes so beautifully as the nexus where “two realms become one”. The last several years have brought me a much needed emptying process creating space in my life for this sacred nexus to flourish. I have been laid open and unclogged by making art. Making art cleared me and making art connects me with the Void. It is a form of deep, committed prayer.

This is the story of my opening told through my sculptures. I started as an artist sculpting in clay at the age of four, but left the medium for 20 years. Upon my return a few years back, I made very controlled sculptures like this one:

The Egg Cracks (c) Sybil Archibald

Like an egg, I was slowly cracking open- excavating a space for the Divine to enter. But as I created, I felt stuck. I didn’t feel that deep freedom which connecting to the Divine creative flow brings. I was controlling the process too much.

To loosen my grip, I began a series called the “The Act of Creation”. These pieces are about surrendering to the moment of creation without judgment. It was important for me to create without expectation of the outcome, to surrender product for process. I entered into the Void and mingled with the Divine creative energies there. Thus I acted on this clay only by instinct and stopped in the moment I felt this internal flow of creativity recede. As a vessel, I felt the creative energies within me merge into matter and I felt it as a physical sensation deep within my body. These pieces are a captured instant of the creative process made concrete and a record of, perhaps, my most intimates moments in the arms of the Artist.

Here are just a few from this series for more check here.

Act of Creation #1
Act of Creation #1 (c) Sybil Archibald

Act of Creation #1 (c) Sybil Archibald

Act of Creation #2

Act of Creation #2 (c) Sybil ArchibaldAct of Creation #2 (c) Sybil Archibald

Act of Creation #3

Act of Creation #3 (c) Sybil Archibald

Act of Creation #7

Act of Creation #7 (c) Sybil ArchibaldAct of Creation #7 (c) Sybil Archibald

Act of Creation #8

Act of Creation #8 (c) Sybil Archibald

Act of Creation #9

Act of Creation #9 (c) Sybil Archibald

Act of Creation Group Shot

Act of Creation Group (c) Sybil Archibald

Making these pieces completely opened me up. Suddenly I had ears, finally the Artist had come and gently slipped me on like a glove. My current “Mystical Vessel” series, sculptures of mystics who profoundly influenced my spiritual development, could not have happened without this experience of letting go. Here are the first three pieces from this series:

The Pregnant Virgin
The Pregnant Virgin (c) Sybil Archibald

The Pregnant Virgin (c) Sybil Archibald
For video of this sculpture check here.

Hildgard of Bingen
Hildegard of Bingen (c) Sybil Archibald

Hildegard of Bingen (c) Sybil Archibald
For video of this sculpture check here.

St. Francis
St. Francis (c) Sybil Archibald

St. Francis (c) Sybil Archibald
He needs arms before I make a video…

Making art in this way, deeply connected to Divine flow of creativity, is an adventure, a riotous ride into the unknown. Like a whirling dervish, I spin into hidden realms and it is sweet compensation for a body confined by illness. Which is why, despite everything I have been through, I am profoundly grateful for the infinite kindness of God.

Facebook, Connections & Boundaries

Tasting the Light

It will arrive suddenly,
when you are unaware.

It will come over you swiftly,
lightning flash
across a large surface of stone.

After everything has melted,
there will be the taste
of bronze and honeyed fruit,
burnt cinnamon,
something blue and electric in the air.
-Dorothy Walters

This poem is about the Annunciatory Light, that deep connection to the Divine that fills you in an instant and changes your whole life. With it comes untold sweetness and Light but through great pain and destruction, or perhaps deconstruction, of your life.

Not everyone wants their life torn in two by a dense flash of Divine creativity which takes years to unfold. So, there is another, gentler form of connection to the Divine found in our relationships to other people. The intimacy issues that come up with loved ones are a doorway to our relationship with the Divine.

I grew up in a house with no boundaries. So not surprisingly, setting boundaries has always been a challenge for me. My life is devoted to being a vessel for the Divine Artist, but you can’t be a vessel if you don’t have walls. You become filled with other people’s mishegas, so stopped up that your own light is obscured. It’s like throwing mud on a mirror. The mirror of the soul must be polished and protected to let Divine Light reflect into the world. We must learn to build dams for the world’s ceases flow of mud and muck.

Facebook has been a good place for me to try and learn for this. When I first joined, I did it to promote my work. Using my personal account, I placed photos in art groups, joined things willy nilly, and accepted anyone who friended me. I assumed they were good hearted and interested in my work. Probably most of them were. Some were in it, I’m sure, to bulk up their friend numbers and other who knows? But I became subjected to a constant stream of junk posts, emails, politics and mental trash that was just not healthy. This is the essence of poor boundaries. So I deleted everyone I didn’t know and started from scratch seeking out people who were meaningful to me in my life. Not everyone on my list is a close friend, but everyone has touched me a in a way that has enriched me. I created good boundaries which give me more space to be a vessel for the Divine Artist. I am seeking to make a wall that is porous enough to allow in the beauty and connection in but strong enough to keep the muck out.

I have developed really wonderful connections with people I have not yet had the pleasure of meeting in person through this blog. These connections have been incredibly meaningful to me. They are, as is every human connection, steeped in the Divine. We are so blessed to live in a time where there are so many different ways to be in relationship.

To make more connections possible, I just set up a Facebook page for my art If you are a Facebook user, I invite you to join my page. I’ll be posting links to this blog, new work, poetry and other links to interest about the connection between art & spirituality. I hope people will find me through Facebook and then travel here so that we can create a deeper connection and share with one another our experiences of our own spiritual journeys so please recommend me to your friends if you are so moved.

Many blessings.

Sybil
Facebook page for my art

Dorothy Walters, Poet

I am speechless with excitement because I just discovered that one of my favorite poets, Dorothy Walters, has her own blog: Kundalini Splendor. It is filled with beauty and wisdom just like her poetry. Walter’s work inspires and feeds me on a deep level. Take for instance this poem, which tells the story of my life:

A Cloth of Fine Gold

You may think
that first lit flame
was the ultimate blaze,
the holy fire revealed.

What do you know
of furnaces?
This is a sun that returns
again and again, refining, igniting,
pouring your spirit
through a cloth of delicate gold
until all dross is taken
and you are sweet as
clarified butter
in god/the goddess’ mouth.
Dorothy Walters

She intimately understands the relationship between Creator and creator. This next poem pinpoints my experience of my own vision of the Virgin Mary,my Annunciation, and my ensuing illness:

Preparing to Meet the Goddess
Do not think of her
unless you are prepared
to be driven to your limits,
to rush forth from yourself
like a ritual bowl overflowing
with sacramental wine.

Do not summon her image
unless you are ready to be blinded,
to stand in the flash
of a center exploding,
yourself shattering into the landscape,
wavering bits of bark and water.

Do not speak her name
until you have said good-bye
to all your familiar trinkets —
your mirrors, your bracelets,
your childhood adorations —
From now on you are nothing,
a ghost sighing at the window,
a voice singing under water.
Dorothy Walters

These poems make clear the paradox of the terrible rending of life that is at the same time a beautiful gift, like the healing wounds of the stigmata.

Our job is, like alchemists, to heal and rarify matter. We are made for that nexus point where Creator & creator merge into One. Where Spirit infuses matter, where Light penetrates dark, and where we embrace our status as scared wombs born to give birth to the Divine.

I saw Copying Beethoven this weekend. I highly recommend it as a movie that really explores the spiritual path of making art. Here is an excerpt which sums up what I have been saying here. I couldn’t find a shorter cut, but check at about the 3 minute mark where Beethoven explains the spiritual purpose behind making music:

Here is the direct link for email subscribers: http://www.youtube.com/watch?v=7PSyxwaTICs&feature=related

Blessings.

Sybil

Happy Birthday Thomas Merton

Oh Sweet Irrational Worship
Wind and a bobwhite
And the afternoon sun.

By ceasing to question the sun
I have become light,

Bird and wind.

My leaves sing.

I am earth, earth

All these lighted things
Grow from my heart.

A tall, spare pine
Stands like the initial of my first
Name when I had one.

When I had a spirit,
When I was on fire
When this valley was
Made out of fresh air
You spoke my name
In naming Your silence:
O sweet, irrational worship!

I am earth, earth

My heart’s love
Bursts with hay and flowers.
I am a lake of blue air
In which my own appointed place
Field and valley
Stand reflected.

I am earth, earth

Out of my grass heart
Rises the bobwhite.

Out of my nameless weeds
His foolish worship.
Thomas Merton

Thomas Merton was a Trappist monk who believed deeply in contemplation and interfaith dialogue. The Website of Unknowing has a great overview of his life.

The video below is of the dedication of Thomas Merton Square in Louisville Kentucky. It made me tear up around the 4 minute mark when they had representatives from about 8 different religions taking turns reading Merton’s Shining Like the Sun Vision. He was a great man. I am really looking forward to sculpting him as part of my Mystic Vessel series.

Here is the direct link for my email subscribers.

The Pregnant Virgin Mary

Annunciation
We know the scene: the room, variously furnished,
almost always a lectern, a book; always
the tall lily.
Arrived on solemn grandeur of great wings,
the angelic ambassador, standing or hovering,
whom she acknowledges, a guest.

But we are told of meek obedience. No one mentions
courage.
The engendering Spirit
did not enter her without consent.
God waited

She was free
to accept or to refuse, choice
integral to humanness.
Denise Levertov

I recut the video of my pregnant Virgin Mary sculpture. I think it’s a lot better, much more informative. it also includes some of my etchings and woodcuts of the Annunciation. I hope you like it!

On Birthing, Artwork and Finding Joy

Christine over at Abby of the Arts (one of my favorite blogs) posted this Meister Eckhart quote last week, and I can’t stop thinking about it:

All beings
are words of God,
His music, His
art.

Sacred books we are, for the infinite camps
in our
souls.

Every act reveals God and expands His being.
I know that may be hard
to comprehend.

All creatures are doing their best
to help God in His birth
of Himself.

Enough talk for the night.
He is laboring in me;

I need to be silent
for a while,

worlds are forming
in my heart.
-Meister Eckhart

An artist needs to be silent to create, but how to find this elusive silence?

It’s clear that the Divine Creator wants me to find silence because my life in recent years has been stripped down to bare bones, the noise and chaos cleared out. Using my health as an agent, God has sent me into exile. First from work and late-night socializing, then from volunteering and now even from my friends and family. I’ve written about this before, but last year my family and I were forced to move from the northeast, south in search of warmer winters. So here I sit with a large share of the doing purged from my life, but what of silence?

I assumed that in my exile I would find nothing but space to unfold and work. Instead I found everything that the doing was designed to suppress. I found fear and anxiety, anger and sadness- a lifetime of regrets I never had time to feel. Now after years of learning to sit with these feelings, many have processed through. I am emptier than I have ever been. But still I have resistance to entering into that sacred space. Why?

It is the same reason that has always caused artists to drink and spiral into depression and fear. It’s not that life is so dark, it is that it is so beautiful and dear. I am only beginning to be able to tolerate the tiniest drop of the joy and pleasure that God offers us. An artist brushes that pleasure each time we create.

I have emptied myself to such a degree that there is no barrier left to that deep connection with my maker, that deep intimacy and joy. I find it difficult to proceed. But for me there is nothing else left, there is my connection to God which is expressed in two ways alone: my relationships to the people I interact with (most particularly my friends & family) and my creative process.

I am terrified to pick up my brush, to mold my clay. But there is nothing else for me to do. I will take baby steps and breath, just as I learned to tolerate my fear and still function, I will learn to tolerate and embrace my joy. This is what I was born for, to be one of God’s wombs. Rilke’s advice to an aspiring poet says it all:

Go into yourself. Search for that reason that bids you to write; find out whether it is spreading out its roots in the deepest place of your heart, acknowledge to yourself whether you would have to die if it were denied you to write. This above all- ask yourself in the silent hour of your night: must I write? Delve into yourself for a deep answer. And if this should be affirmative, if you may meet this question with a strong and simple “I must,” then build your life according to this necessity; your life even in its most indifferent and slightest hour must be a sign of this urge and a testimony to it. Rilke, Letters to a young Poet, Trans. Herter Norton

On the Importance of the Physical

It seems I have finally sorted out all my technical problems with this blog. (Knock wood!) So as a thank you for your patience, below is a beautiful Rilke poem. I recently realized that even though I am an avid reader, it has been several years since I read a new novel. I thought this is very unlike myself until realizing that my book reading has been almost exclusively poetry with a few mystical texts thrown in for flavor. So I splurged on the Amazon.com used-book market and ordered about 20 books of poetry. I love used books, esp when someone has lovingly (but sparingly) notated them. They have been arriving in dribs and drabs each day, clothed in stained and crumpled wrappings that give no hint of the precious jewels hidden inside. Here is a poem I received today.

The Winged Energy of Delight
Just as the winged energy of delight
carried you over many chasms early on,
now raise the daringly imagined arch
holding up the astounding bridges.

Miracle doesn’t lie only in the amazing
living through and defeat of danger;
miracles become miracles in the clear
achievement that is earned.

To work with things is not hubris
when building the association beyond words;
denser and denser the pattern becomes–
being carried along is not enough.

Take you well-disciplined strengths
and stretch them between two
opposing poles. Because inside human beings
is where God learns.
-Rilke trans. Robert Bly

I love this poem because it is reminds me of the importance of living in the physical world. That we need to enmesh ourselves in life not only for ourselves, but for God. Physicality has its Divine purpose and it’s not just a race to return to our Source whether that be by death or spiritual withdraw from life. My greatest struggle has been detaching myself enough from the Divine to live fully. Ironically, now that I am really here in my body, I am more closely connected to my Source than ever.